Showing posts with label SH IFTS. Show all posts
Showing posts with label SH IFTS. Show all posts
Tuesday, July 10, 2012
Photos from SH IFTS
Here are some photos of the broadsides I had on display at Berkeley's James Rowland Shop a couple weeks ago. The space seemed made for them! To read their text, visit my website.
Wednesday, June 27, 2012
Flash Wednesday.8
Here's one last June installment of Flash Wednesday! I made a broadside of this story, which is the title piece for my art show this Friday at James Rowland Shop. Check out the broadside here.
Shifts
My shift starts at 8:30. Belladon’s starts at 11. Sometimes
we trade shifts, but always, always, we
stay within the realm of our own.
The way Belladon does his job is like this: he struts. He’s
majestic in his brown paper briefs, a grease spot marking the very nose of
their slope. My uniform—which I wear even when I work the 11—my uniform is more
modest: a burgundy velvet cloak. The way I do my job is still unclear.
Sometimes working the 11 makes me feel foreign, Belladon tells me. And when we trade
shifts, it feels like I’m coming home.
Belladon lies a lot. That’s how he gets me to take his shift.
The cook is sorting through tubs of coleslaw with a Sharpie,
hastening their expiry dates with crunching strokes of his wrist. Is it a
wrist? No. It’s the graceless place where his hand meets his arm, a collision.
Lately, we’ve noticed groundcherries poking out from between
the tubs of coleslaw, finishing off their growth with husky bobs. Belladon says
it’s because we’ve stopped ordering sauerkraut. The stink kept the weeds at
bay.
I’ve never felt foreign, exactly, here inside my cloak, but
then I’ve never felt the urge to strut either. Whether I’m the 8:30 or the 11,
it’s always been Belladon’s body that explains my own.
**********
Belladon has stopped wearing his briefs. Are you working
the 8:30? I ask. He tells me no. We’ve
created a new shift, he says, to fill in the gap between the shifts that
already exist.
And there’s no uniform?
More like there’s no copyright. We’ve bumped up its
expiry date. The sight of a naked man has finally surpassed being embarrassing.
I shuck a groundcherry and pop it in my mouth. I study
Belladon’s penis, which is thin and craggy, like a long shred of cabbage. The
cook unloads chestnuts from a grease-stained paper bag. The place where his
hand meets his arm crackles.
I reach around inside my cloak for my penis. All I can feel
is forest, cicada shrieks, the lusty smell of dusk. I stagger, I tear at the
night. I brush past a halo of pubic hair, push into the thicket, further until
I trip on a freshly cut stump. Horror is lush in my throat. This, I think, is
the nature of doom: the restless mortar between plastic tubs of slop.
Monday, June 25, 2012
Broadsides on display this Friday at JRS
I'm moving to Iowa this fall to study at UI Center for the Book, and so am getting ready to say goodbye—for now—to the Bay. If you're in the area this Friday, June 29, come say hi/bye at James Rowland Shop in Berkeley, where, for one night only, they'll be showing a collection of broadsides I letterpress printed. Each one features an original short story or poem, is printed on re-purposed office supplies, and will be selling for cheap! The show, titled SH IFTS, will be up from 7-10 pm, and there will be pizza and drinks! James Rowland Shop is located at 2447 Dwight Way at Telegraph.
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