I made more artist book sketches by incorporating a Baudrillard quote into two different book structures (to learn more about this Artist Book class assignment, read this post).
In both books I used yellow-orange—one of my favorite colors—appropriate because of its yield-sign solidarity, convenient because it meant I could utilize recycled manila envelopes. In both sketches, I used old RUNX TALES drawings of my face to represent the identity a driver's license photo attempts to capture. The paradox in both sketches is that, as the reader moves through them, the face becomes less obscured—in the first, through transitioning from the pedestrian icon's head to a more detailed face (before ending in a festive image of violence); in the second, through the subtraction of strips of paper.
I'm still thinking about how these structures and concepts could be worked into a book designed to contain (and interact with) a longer essay.