Caxton Club Grant Presentation

Photo by Susan Hanes

Members of the Caxton Club visited the UI Center for the Book last month. I presented to the group, along with fellow Caxton Club grant recipient Candida Pagan, and I talked about the project they helped fund—an artist's book called Catholics. I'm currently binding the edition of 25 and working on designing a letterpress-printed dust jacket. Here's a draft of the jacket's blurb:

Catholics is an artist’s book, a limited-edition memoir that makes use of comics, collage, and letterpress printed typography to explore the psychic cathedral built by its author’s Catholic traditionalist upbringing. Beginning with an anti-clerical quip by Tallulah Bankhead, the book takes on a range of subjects including Catholic-Masonic tensions, the fervency of converts, the legacy of the Legion of Decency, and the spiritual significance of revelatory shrouds. In Catholics, the sacred and profane, the humorous and tragic, the zine and literary fine-press all end up as strange bedfellows in desperate need of confession.

Check back for more pics of Catholics!

Artist's Books at Prairie Lights!

Come see my multitalented students display their artist's books from our Creative Writing for Book Arts class! Subtitled 'Writing for Visual & Material Genres', the class has explored comics, zines, typography, text + image, and hybrid genres before culminating in their final project—a book whose form is integral to its content. The event is this Saturday, May 9 from 5–7 pm at Prairie Lights Bookstore.

UICB MFA Group Show

The 2015 graduating MFA's at the UI Center for the Book are currently showing selections from our thesis work at the K.K. Merker Gallery in the basement of North Hall. I'm proud to be a part of it—there's some pretty fantastic work by Maggie Heineman, Alexandra Janezic, Andrea Kohashi, Candida Pagan, Steph Rue, Leslie Smith, and Kalmia Strong. The reception is this Friday, May 8th from 4–6 pm.

Catholics on Display

I'm debuting a new artist's book, Catholics, as part of my MFA thesis show at the UI Center for the Book. I'll be showing work along with Alexandra Janezic at the K. K. Merker Gallery in the basement level of North Hall from April 13–17. The reception will be from 5:30–7:30 on Friday, April 17.

Both Janezic's and my work features images built and printed from metal type (see below). To learn more about Catholics, click here and here. I'll be posting more images from the book in the coming weeks.

Typographic Transfiguration

I've finished printing the content for Catholics, an artist's book I'm working on at the University of Iowa Center for the Book. It is a limited-edition memoir that relates my Catholic upbringing as it interweaves several themes: Church history, pre-Christian mythology, and the places where such spiritualities resonate with twentieth-century pop culture.

One of the book's features is a series of seven communion wafers/solar crosses. These images are surrounded by Bruce Rogers–inspired frames letterpress printed from metal typographic ornaments that alchemically shift throughout the course of the book. The wafers/solar crosses animate their own narrative, a transmuting framework that comments on the book’s other threads. I also adapted the sequence into a suite of prints.

To see a post about some of the book's hand-drawn illustrations, click here. I'm excited to start binding the edition of 25 this week. Meanwhile, check out the wafer/solar cross series below.

Bullets, Braces, Borders

I printed this promotional giveaway last semester as part of my Print Projects graduate assistantship at the University of Iowa Center for the Book. It's letterpress printed from handset metal type in three colors on Magnani Pescia paper. 

The Story of How Gill Sans & Goudy Old Style Are Equal

One of the great things about working with Brooklyn Arts Press to put out The Story of How All Animals Are Equal & Other Tales is the amount of control I was allowed over the book's design. Under the guidance of Sara T. Sauers at the University of Iowa Center for the Book, I combined Goudy Old Style and Gill Sans with underlining and strikethroughs to create an effect reflective of the book's lyrical but frenetic narratives. 

I was trying for movement, for a tension between harmony and fragmentation. I'm grateful to BAP for letting me have so much typographic control: the book's design (in conjunction with the cover image by Alicia DeBrincat) ended up looking great. Buy it now and see for yourself!